◆J-Guitar秋桜セール 10/5 15時まで!
Martin 1995 HJ-28: a jumbo that combines dreadnought depth and volume with the string balance of a 000, for players who find a dreadnought's low end too boomy for fingerstyle, complex chord work, ensembles, or mic'd recording.
Martin 2021 000CJR-10E: a scaled-down version of Martin's traditional 000 shape that is easy to take anywhere, yet delivers genuine Martin tone far beyond what its size suggests.
Merida 2026 BLACK HOLE, a modern acoustic guitar that pairs an innovative design with practical, playable sound.
Larrivee 1979 L-10 Deluxe "Eagle" - a high-end model from Jean Larrivee's golden era.
Martin 2006 CTM D-28 TC - "A step-up D-28."
Gibson 1956 J-45 - original 1950s Gibson with the thick, earthy, well-aged tone that modern reissues cannot reproduce, in a condition that can be used as a real working guitar.
Ovation 1980 Adamas II 1681-8 - developed to bring the Super Adamas to more players at a more accessible price.
Martin 2003 D-28 CTM - a custom-shop take on the eternal standard D-28, for players who want the classic D-28 foundation with something more individual than the regular production model.
1975 Martin D-28 with the powerful, focused strum tone typical of the square-rod era, deepened by nearly half a century of aging. Vintage character on the outside, but properly set up by a skilled technician for surprisingly comfortable playability by mod
1977 Martin D-19, Martin's historical answer to players wanting both the understated all-mahogany look and a spruce-top's louder, more open sound. Introduced in 1976, the D-19 uses the D-18's construction but stains the spruce top with a dark mahogany sta
1971 YAMAHA FG-350, from an early-1970s era highly regarded in the history of Japanese acoustic guitars. Fully dried wood after more than 50 years produces a huge volume and dry, percussive tone unattainable by current models. Side/back use the rare coral
2019 Gibson SJ-200 Standard Natural, the king of flattops. Super jumbo body with Sitka spruce top and figured maple sides/back, delivering thunderous low end and Maple's characteristically clear, articulate high end for a huge, commanding strum sound. Nat
Fender Acoustic CD-60CE. Equipped with the Fender FTE-3-NT preamp and onboard tuner trusted in many professional settings, delivering a clear, focused line sound that doesn't get lost in a band mix straight out of the box. Classic dreadnought shape with a
1964 Gibson J-45. This mid-1960s J-45 represents the model's golden era, loved by countless legendary musicians. 1964 in particular is the final year of the regular-width neck before the extremely narrow neck taper introduced in 1965, combining a solid gr
Martin / 2006 000C-28 Andy Summers
Martin / 2007 D-28 Marquis Sunburst with L.R. Baggs iBeam
Gibson / 1962 Country Western
Gibson / 1958 J-45
Have you ever picked up a classic D-18 chasing that warm, woody mahogany tone, only to run into the stiffness and shallow resonance typical of a brand-new guitar — and been discouraged by how long it takes to develop the tone you're after?
Have you given up on finding a single guitar that combines great cost performance, uncompromising tone, and the durability to handle a demanding gig schedule — assuming that's simply asking too much?
Chaki / 1970s P-2 — From Kyoto's venerable maker Chaki, still captivating acoustic guitar fans today. This P-2, being a pure "full-acoustic" instrument with no onboard pickup, lets you experience its resonance without compromise.
S.Yairi / 1970s YD-304 — A highly regarded 1970s domestic acoustic guitar, still popular among fans today, from S.Yairi, built with top-grade Brazilian rosewood back and sides.
Martin / 2002 000-28EC — "The signature guitar behind Eric Clapton"
"I want that dreamy 1950s vintage jazz tone, but vintage instruments are too expensive, and I'd worry about maintenance and feedback." Every jazz guitarist who loves the style has probably faced this dilemma at some point.
Wanting a deeper, richer tone - satisfied by 100 years of history and 20 years of aging.
A 1973 Yamaha FG-2000, a historic instrument that marked the dawn of Yamaha's high-end acoustic lineup.
A guitar that fuses traditional Japanese urushi (lacquer) with a modern acoustic guitar, offering an overwhelming sense of individuality in both tone and looks that no other guitar can match.
A used 1998 Gibson J-160E, from the highly regarded 1990s Bozeman, Montana factory.
A 1995 Yamaha GC-40C, a mid-tier model from Yamaha's Grand Concert classical guitar lineup produced in the 1990s, known for solid construction and consistent quality.
The Gibson J-45 Standard, known worldwide as "The Workhorse" and beloved by legendary players for generations.
L.R.Baggs / Lyric
Epiphone / 2023 Masterbilt Excellente FT120
Gibson Custom Shop / 2006 Southern Jumbo
Martin / 2022 D-28 Standard
Gibson / 2006 J-45
Gibson / 1956-1958 CF-100
Martin / 2023 CTM D-28
Martin / 1978 D-18
Martin / 1973 D-35
Morris MF-702
Epiphone 1968 FT-79 Texan
Gibson 1961 J-45
Martin 1979 D-18
Gibson 1935 L-50
Gibson 2001 J-45 Rosewood
Martin 1967 D-18
Martin 1967 D-28
Epiphone 2021 FT120 Masterbilt Excellente
Gibson 1963 J-45 Cherry Sunburst
Martin 1996 000-28 12-Fret GE